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Archive for the 'Style' Category

Wonderful Women Of The World

Posted by Michelle Moquin on 12th July 2014

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Good morning!

Ladies: What does your “natural look” entail? On the days I don’t see clients or I am not going out socially, I am make-up free and slathered in my favorite moisturizer: coconut oil. When I am seeing clients, or out for a night on the town, I like to add lipstick and play up my eyes…wearing as little make-up as possible to get my desired “look.” The latter being an approach that isn’t the standard amongst most stylists, who usually love all the latest trends in cosmetics.

I know I am not the standard. That’s fine for me. My approach works for me and serves my clients: I seem to attract women who also want to wear very little make-up to get that “natural look,”  and appreciate products that are not damaging to the skin and organic. The “natural look” is big in my styling world. It’s trending in the fashion and beauty world too. The difference is, I encourage my clients to wear just a few products to bring out their best features. In the beauty world, getting that “natural look” takes 18 different products layered on your face. Really. I read a write the other day and to get that “fresh, natural look” it literally took 18 different products! No thanks.

Late last night after I got home from a fabulously fun GNO, I came across this write. It seems this singer-songwriter Colbie Caillat decided to show the skin she was born in and showcase her ”natural look.”

Here’s the write from Elle.com

Colbie Caillat Is Tired of Being Photoshopped: Here’s What She Did About It

Grammy Award-winning, singer-songwriter Colbie Caillat returns with a brand new EP, Gypsy Heart and a powerful new music video in which she makes a powerful statement about unfair beauty ideals by shunning hair and make-up. Here, we talk to Caillat about the man (yup!) who inspired the song, the impact of Photoshop, and why all women hate the way they look in photographs:

How did the idea for your brand new single and video, “Try,” come about?

I went into the recording studio with Kenneth “Babyface” Edmonds and I told him that I was getting a lot of pressure to be someone I’m not, both musically and image-wise. Although I don’t want to do it, I’m just going to make these people happy. He started laughing, and said, we’re not going to do that. That’s not you, and that’s ridiculous of them to ask. That right there gave me the creative freedom. He said, “Let’s write about exactly what they’re asking you to do—to change yourself.” We started checking off all these things that all of us girls do everyday to get ready to go out. I told him that before coming to the studio I wanted to look pretty so I had my nails done, I made sure I had the best outfit on, I had my hair and makeup artist come over and make me look all polished. And the thing is that I like myself when I’m not that way, but I feel like other people might not like me that way. And I know that most women go through that. When you have blemishes on your skin, gain weight, or my friend has crooked teeth, or my mom’s roots are going gray. And everyone is trying to hide their faults from each other when we all have it. So Babyface inspired me to write this and it’s all from a personal experience.

Photo: Courtesy of Republic Records

It’s funny because one would think that these messages are coming from a man to make a woman look a certain way. But here’s a man encouraging you to write about it.

I know, and a very powerful man at that. It’s so true that you can go so far down the rabbit hole of altering yourself to where you’re not happy anymore. And Kenny gave me that freedom and it’s really helped me with the direction of this album. I don’t have Photoshop on my album cover. At the video shoots, I’m doing less hair and makeup. For the “Try” video I didn’t prep or starve myself and over-exercise. And then I didn’t get my nails done, I didn’t get my hair done. I didn’t get a facial. I didn’t have a stylist.

Related: “I Woke Up Like This” Is the Biggest Myth of All

It really does take a lot.

I still love getting all dolled up. And then most of my days I love walking around with no makeup, my hair dried straight from the shower, in workout clothes or pajamas.

What is the hardest part about being a female in today’s society?

Trying to live up to other people’s expectations. When we do get dolled up, we get more compliments. It’s just what happens. When you have a cute outfit on and your makeup looks amazing, the first thing people comment on is your image. When you don’t wear makeup, you hear things like, “Oh wow, you look tired or you’re so brave for not wearing makeup!”

Photo: Courtesy of Republic Records

It’s very easy to get caught up in what’s considered the norm. But I think it all begins with our parents. Was there a lesson that you learned as a kid that you still use today?

My parents are total hippies. My mom never wears makeup and she hates getting her hair done—exactly like the song. She doesn’t think you have to try for anyone. She thinks you should be yourself. My grandma, too—they’re so natural, and everything they put into their body is clean and they just live a clean life. And growing up with a mom who never pressured me into looking a certain way was really great because it embedded that it’s okay walking around with no makeup on most of my days. It’s more for the public appearances as an artist that I feel like I have to be polished, and now I’m excited to stop that and just kind of go as I naturally am more often.

Related: Sutton Foster on Going Makeup Free on Broadway

Do you feel responsible as an artist? Do think about the message the music videos, album covers, and magazine spreads send to fans?

There’s major responsibility. When I see gorgeous models and singers and they look perfect on their album covers, it makes me want to look like that, too, and it makes me feel like if I don’t Photoshop my skin on my album cover, I’m the one who’s going to look a little off and everyone else is going to look perfect. And that’s what everyone is used to seeing. They’re used to seeing people on the album covers completely Photoshopped. On one of my album covers, my arm was shaved down and it made me look very skinny. I think that gives a false reality. When I did the lyric video for “Try,” and I asked some of my celebrity friends if they would send a picture of themselves, you have no idea how difficult it was. Some of them said no, some of them said they’ll send me a picture in a couple of days because they have a pimple on their chin, and they didn’t want it showing in the picture. And I was like, no, no, no! That’s good! Let’s let all of our fans know that we get them too, because otherwise they’re just think that they’re the only ones who get acne. We all get it, so let’s just kind of laugh about it together. And then some of the girls still wore makeup in the pictures because they felt like they needed to at least look–I don’t know, in their eyes, decent or something when they still look beautiful. It was so hard for them to show any degree of realness.

Photo: Courtesy of Republic Records

I think that once a person gets used to something, it’s hard to change your habits. In the video you took your hair tracks out, you took all the makeup off–did you feel naked? And how did the other women in the music video feel?

We shot the video in reverse, we started bare, and by the end we finished with the full hair and makeup, and then reversed the film for the finished product. All of the women were amazing. My favorite was the woman who has no hair. I first saw her completely bald, no makeup, with a huge smile, she was just so happy and confident. She was so beautiful to me. And then we kept getting more hair and makeup on, and the next scene I saw where she’s in full make-up and wig, I was like, Who is this woman? She was not the same person. She still looked beautiful but it wasn’t the same beauty that I saw when she was liberated, showing who she really was. When I shot the first scene with no hair and makeup on in front of an HD camera in my face, flashed with bright lights, everyone was watching. I thought, “Oh my god, I bet they’re all looking at my blemishes, thinking that I should cover them up, or that I should put some volume in my hair.” But it also felt really cool to be on camera with zero on, like literally nothing on. And then when it got to the full hair and makeup, I actually felt gross. I was just so caked on.

 B*E*A*U*T*I*F*U*L*

Readers:  I love what Caillat did. I think she and the other women are rockin’ their “natural look.” Agree? PS: Love the song too.

Blog me. 

Lastly, greed over a great story is surfacing from my “loyal”(?) readers. With all this back and forth about who owns what, that appears on my blog, let me reiterate that all material posted on my blog becomes the sole property of my blog. If you want to reserve any proprietary rights don’t post it to my blog. I will prominently display this caveat on my blog from now on to remind those who may have forgotten this notice.

Gratefully your blog host,

michelle

Aka BABE: We all know what this means by now :)

If you love my blog and my writes, please make a donation via PayPal, credit card, or e-check, please click the “Donate” button below. (Please only donations from those readers within the United States. – International readers please see my “Donate” page)

Or if you would like to send a check via snail mail, please make checks payable to “Michelle Moquin”, and send to:

Michelle Moquin PO Box 29235 San Francisco, Ca. 94129

Thank you for your loyal support!

All content on this site are property of Michelle Moquin © copyright 2008-2014

“Though she be but little, she be fierce.” – William Shakespeare Midsummer Night’s Dream 

" Politics, god, Life, News, Music, Family, Personal, Travel, Random, Photography, Religion, Aliens, Art, Entertainment, Food, Books, Thoughts, Media, Culture, Love, Sex, Poetry, Prose, Friends, Technology, Humor, Health, Writing, Events, Movies, Sports, Video, Christianity, Atheist, Blogging, History, Work, Education, Business, Fashion, Barack Obama, People, Internet, Relationships, Faith, Photos, Videos, Hillary Clinton, School, Reviews, God, TV, Philosophy, Fun, Science, Environment, Design, The Page, Rants, Pictures, Church, Blog, Nature, Marketing, Television, Democrats, Parenting, Miscellaneous, Current Events, Film, Spirituality, Obama, Musings, Home, Human Rights, Society, Comedy, Me, Random Thoughts, Research, Government, Election 2008, Baseball, Opinion, Recipes, Children, Iraq, Funny, Women, Economics, America, Misc, Commentary, John McCain, Reflections, All, Celebrities, Inspiration, Lifestyle, Theology, Linux, Kids, Games, World, India, Literature, China, Ramblings, Fitness, Money, Review, War, Articles, Economy, Journal, Quotes, NBA, Crime, Anime, Islam, 2008, Stories, Prayer, Diary, Jesus, Buddha, Muslim, Israel, Europe, Links, Marriage, Fiction, American Idol, Software, Leadership, Pop culture, Rants, Video Games, Republicans, Updates, Political, Football, Healing, Blogs, Shopping, USA, Class, Matrix, Course, Work, Web 2.0, My Life, Psychology, Gay, Happiness, Advertising, Field Hockey, Hip-hop, sex, fucking, ass, Soccer, sox"

Posted in Good Reads and Good See'ds, Health & Well Being, Style | 36 Comments »

Flap Your Lips Friday

Posted by Michelle Moquin on 11th July 2014

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Good morning!

This is literally a Flap Your Lips Friday kind of write. Only in Paris!

From Artfido:

NSFW: Performance Artist Reenacts the Painting ‘The Origin Of The World’

Following on from our previous post where a performance artist was restrained, force-fed and injected with cosmetics in a high street shop window as part of a hard-hitting protest against animal testing (see HERE), another performance artist has gone to great lengths to make a point.

Background: if you’ve ever gazed into the beautiful void that is Gustav Courbet’s “The Origin of the World”, you’re probably familiar with just how provocative (and NSFW) the painting is.

As the title cleverly references, it is a portrait of the female genitalia, through which all human beings enter into life. Combining the romance of realism and the lustful voyeurism of erotic art, it’s, well, heavy stuff.

FRANCE-CULTURE-EXHIBITION-COURBET

So, you can only imagine what would happen if someone – let’s say, a daring performance artist – attempted to reenact the racy anatomic still life from 1866… in front of an audience of museum patrons assembled at Paris’ Musée d’Orsay to see Courbet’s masterpiece face-to-face.

 Do you have a clear picture yet? Now compare that to the video below, in which Luxembourgian artist Deborah de Robertis actually transforms painting into performance, by revealing her own vulva in front of some surprised passersby. Just watch (and remember, it’s not safe for work):

 


Une artiste expose son sexe sous «L’origine du… by quoi2news

According to Le Monde, the racy act took place on May 29 at the Musée d’Orsay’s Room 20. De Robertis entered the room in a gold sequin dress and proceeded to expose her own “L’Origine du monde” to a crowd of unsuspecting security guards and applauding gallery goers. The artist was eventually taken away by police and, as Artnet reports, the museum and two of its guards subsequently filed sexual exhibitionism complaints against the bold woman.

This is a typical case of disrespecting the museum’s rules, whether for a performance or not,” the Musée d’Orsay’s administration said in a statement published in Artnet. “No request for authorization was filed with us. And even if it had been, it’s not certain we would have accepted it as that may have upset our visitors.”

De Robertis feels differently. “If you ignore the context, you could construe this performance as an act of exhibitionism, but what I did was not an impulsive act,” she explained to Luxemburger Wort. “There is a gap in art history, the absent point of view of the object of the gaze. In his realist painting, the painter shows the open legs, but the vagina remains closed. He does not reveal the hole, that is to say, the eye. I am not showing my vagina, but I am revealing what we do not see in the painting, the eye of the vagina, the black hole, this concealed eye, this chasm, which, beyond the flesh, refers to infinity, to the origin of the origin.”

To be fair, de Robertis claims she’s performed “Mirror of Origin” more than once in the Paris museum, without causing hysteria. And it’s not the first time that an avid student of art history has opted to demonstrate the sincerest form of flattery by imitating a famous work of art. Just last year, a 26-year-old known as Arthur G stripped down to his birthday suit in front of the Musée d’Orsay’s parade of male nudes, “Masculin/Masculin.”

As the Guerrilla Girls pointed out in the 1990s, less than 5% of the artists in the Modern Art section of New York’s Metropolitan Museum were women, but 85% of the nudes were female. Does it take a nude performance artist disrupting a casual day of museum revelry to make the world notice? Let us know your thoughts on de Robertis’ performance in the comments.

♥V♥A♥J♥A♥Y♥J♥A♥Y♥

Readers: Well? Let the flapping begin. Oh yeah…it already has. :)

Blog me.

Happy Friday!!

Lastly, greed over a great story is surfacing from my “loyal”(?) readers. With all this back and forth about who owns what, that appears on my blog, let me reiterate that all material posted on my blog becomes the sole property of my blog. If you want to reserve any proprietary rights don’t post it to my blog. I will prominently display this caveat on my blog from now on to remind those who may have forgotten this notice.

Gratefully your blog host,

michelle

Aka BABE: We all know what this means by now :)

If you love my blog and my writes, please make a donation via PayPal, credit card, or e-check, please click the “Donate” button below. (Please only donations from those readers within the United States. – International readers please see my “Donate” page)

Or if you would like to send a check via snail mail, please make checks payable to “Michelle Moquin”, and send to:

Michelle Moquin PO Box 29235 San Francisco, Ca. 94129

Thank you for your loyal support!

All content on this site are property of Michelle Moquin © copyright 2008-2014

“Though she be but little, she be fierce.” – William Shakespeare Midsummer Night’s Dream 

" Politics, god, Life, News, Music, Family, Personal, Travel, Random, Photography, Religion, Aliens, Art, Entertainment, Food, Books, Thoughts, Media, Culture, Love, Sex, Poetry, Prose, Friends, Technology, Humor, Health, Writing, Events, Movies, Sports, Video, Christianity, Atheist, Blogging, History, Work, Education, Business, Fashion, Barack Obama, People, Internet, Relationships, Faith, Photos, Videos, Hillary Clinton, School, Reviews, God, TV, Philosophy, Fun, Science, Environment, Design, The Page, Rants, Pictures, Church, Blog, Nature, Marketing, Television, Democrats, Parenting, Miscellaneous, Current Events, Film, Spirituality, Obama, Musings, Home, Human Rights, Society, Comedy, Me, Random Thoughts, Research, Government, Election 2008, Baseball, Opinion, Recipes, Children, Iraq, Funny, Women, Economics, America, Misc, Commentary, John McCain, Reflections, All, Celebrities, Inspiration, Lifestyle, Theology, Linux, Kids, Games, World, India, Literature, China, Ramblings, Fitness, Money, Review, War, Articles, Economy, Journal, Quotes, NBA, Crime, Anime, Islam, 2008, Stories, Prayer, Diary, Jesus, Buddha, Muslim, Israel, Europe, Links, Marriage, Fiction, American Idol, Software, Leadership, Pop culture, Rants, Video Games, Republicans, Updates, Political, Football, Healing, Blogs, Shopping, USA, Class, Matrix, Course, Work, Web 2.0, My Life, Psychology, Gay, Happiness, Advertising, Field Hockey, Hip-hop, sex, fucking, ass, Soccer, sox"

Posted in Bitch Badinage, Entertainment & Laughter, Journeys within, Long Live Planet Earth!, Love, Sex & Relationships, Style, Travel | 51 Comments »

Wonderful Women Of The World

Posted by Michelle Moquin on 14th June 2014

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Good morning!

Another Vogue Magazine discovery…

Another Wonderful Woman Of The World

The Fashion Industry Teams Up with Born Free in the Fight Against AIDS

Born Free fight against AIDS

In the global fight against AIDS, South Africa is making extraordinary strides in reducing mother-to-child transmission. Now a philanthropic initiative called Born Free is teaming up with the fashion industry to lend a hand.

Los Angeles has its sprawl, Paris its lights, Beijing its smog. Cape Town, especially in the summer, is windy. On a perfectly beautiful, blue-sky day—one like today, as it happens—a wind can kick up out of nowhere and blow so strongly and constantly that you have to all but give up on trying to talk to the person right next to you. This happens with such regularity during the week I spend here in late February, the height of the South African summer, that I grow accustomed to the small army that emerges from my colonial-era hotel to tie down all of the lawn furniture lest it end up in the pool. These persistent winds are called “the Cape Doctor” because, for so many years, they were thought to be powerful enough to blow away all the pestilence.

If only it were that simple.

On this particular hot, windy afternoon, I find myself riding in the passenger seat of a black Toyota belonging to Dr. Michael Phillips. We are driving out of Cape Town through the eastern suburbs of Kraaifontein, on our way to the Bloekombos community, a former shantytown of poverty-stricken squatters—an “informal settlement,” in the technocratic lingo. Since the late nineties, the South African government has put a lot of effort and money into pulling this place onto the grid, building housing, schools, and one crucial clinic.

Phillips, a genial, soft-spoken 41-year-old black South African, grew up on the edges of the gang life that dominated his northern Cape Town suburb, went to medical school, and found work in an HIV clinic. Five years ago, he became a district manager for Kheth’Impilo, an ambitious public-health NGO that supports more than 300 facilities in the poorest—and hardest hit by HIV—districts in South Africa. As the landscape shifts to arid empty lots followed by mile after mile of shantytowns, Phillips recalls for me how South Africa became virtually synonymous with the AIDS crisis in the developing world. “South Africans endured a lot of bureaucracy around the availability of antiretroviral treatment with the previous ministers of health,” he tells me, referring to the administration of Thabo Mbeki, one of current president Jacob Zuma’s predecessors and an AIDS denier whose health policies, according to a 2008 Harvard study, led directly to the deaths of hundreds of thousands of people. But things have turned around dramatically since President Zuma was elected, partly because he had the sense to install an actual doctor as the minister of health. “Now,” says Phillips, “we have one of the biggest antiretroviral programs in the world, if not the biggest.”

See Victoria Beckham’s South Africa photo diary with Born Free.

Spending time with people like Phillips, you can’t help feeling the newfound sense of hope and optimism in South Africa when it comes to HIV/AIDS. I quickly learn that nowhere is this more evident than in the excitement around the issue of ending mother-to-child transmission. It’s been only a couple of years that a pregnant woman with HIV could take one pill—a combination therapy of three antiretroviral medications—every day of her pregnancy and practically ensure that her baby would be born free of the virus. “It’s one of the greatest inroads we have made in fighting this,” Phillips says. “Because you’re talking of a new generation. Parents are positive or mother is positive, but the child is born negative. A brand-new start.”

We pull into the Bloekombos community just after 2:00 p.m., as hundreds of kids in maroon school uniforms are just beginning to fan out across the windswept, rubble-strewn roads toward their homes, many of which are single-parent households. We pass one little girl with a backpack slung over her shoulder, walking very slowly: She is intently studying a piece of sheet music, singing to herself. Though there is now formal government housing in Bloekombos, with piped-in water and flushable toilets, a good many of the 30,000 residents still live in tin shacks, and one-third of them are unemployed. The prevalence of HIV hovers around 11 percent.

Today Phillips wants me to see the Bloekombos Clinic, which treats 300 people a day on average. Inside, he and a pharmacist named Lizette Monteith proudly show me around the facility: It is plain, well organized, and spotlessly clean. Cartoon posters on the wall—say “no” to teenage pregnancy and diarrhea (runny tummy) can kill babies and young children—lend it the air of a grade school, but one with lessons that have life-and-death consequences.

We walk into a lab where Monteith takes out a white plastic bottle with an orange-and-black label with the word tribuss on it and sets it down in the middle of a big metal table. It’s almost impossible to believe that this bottle of pills is the main cause of so much momentum in bringing the rate of mother-to-child transmission of HIV down to zero in Africa. First developed in the late eighties, antiretrovirals didn’t become truly effective until used in combination in the mid-nineties. But even then the regimen was brutal, often requiring up to 20 pills a day with debilitating side effects. “Now, when an infected mother comes in,” says Monteith, “you just have to give her one bottle of pills, not this huge bag filled with drugs.”

After we leave the clinic, Phillips takes me to the home of Barbara Matisane, a 30-year-old with HIV and a mother of two—a three-month old and a nine-year-old—both born negative thanks to Matisane’s determination to continue her treatment throughout her pregnancies and breast-feeding so that she did not pass the disease along to her children. Phillips calls her “the special one,” as she is now part of the Kheth’Impilo network, a social-auxiliary worker who helps other women to get tested, join support groups, and take their medication.

Take a look at the Born Free Collection.

Matisane represents a growing cadre of young mothers who, by taking charge of their children’s fates and becoming mentors to other afflicted young women, have turned a potential death sentence into a cause for hope. The influence of these “mentor mothers,” who may not have more than a second- or third-grade education, is confirmed when I speak with Robin Smalley, a former Hollywood producer who cofounded mothers2mothers in Cape Town in 2001, a grassroots organization that has reached more than 1.2 million people through programs in nine countries throughout sub-Saharan Africa. “These mentor mothers have really become a professionalized tier to support the rest of the medical team,” says Smalley. “And then, when they go back into their communities, they are fighting stigma in the townships, just by their example.”

Though Matisane’s house has running water and electricity, it is clearly not part of the so-called formal government-housing initiative that has transformed this “settlement” into a “community.” Indeed, her house is pieced together out of particleboard and corrugated aluminum, with a tangle of wires crisscrossing her ceiling and newspapers stuffed in the cracks between the roof and the walls. Matisane is pie-faced and ebullient in her red scoopneck T-shirt, blue jeans, and red tasseled loafers. Though the predominant language in this community is Xhosa, Matisane speaks pretty decent English, sometimes to unintended comic effect.

She was diagnosed HIV positive in 1998, when she was fourteen. “I was still young, and then HIV was like a bad disease. Let me put it that way: It was a baaad disease. I stole my medical file, I put it in my bed, because I didn’t know how to tell my parents.” Eventually she told them, insisting that the doctor said they must all go together to the clinic as a family. “I was not happy. Maybe if I cook, my mother would take the food and throw it out.” Before long, she joined a treatment action group. “I asked my family also to join the group and then they see that, OK, we can live with a positive person in the house.”

Suddenly, Matisane’s sister appears with three-month-old Neo in her arms—a plump, gorgeous baby boy with big brown eyes. I ask Matisane if it’s possible for her to describe the feeling of finding out that Neo was born without HIV, and she jumps out of her chair. “AAAAH! Yes! It’s so happy! I don’t know what! I feel like screaming!” She talks about the stress and fear of sitting in a corner waiting for the results. “The nurse ask me, ‘Why are you sitting there?’ I said, ‘I’m scared.’ And she said to me, ‘Come.’ When I come in, she said, ‘Wow, your child is negative. All because of you.’ I said, ‘He is?’ I’m proud of myself because I don’t forget to take my treatment every day, every night. I wish some of the other mothers could be as brave as I am. They can take that treatment every day, every time. And they must go to the antenatal clinic as soon as possible when they realize that they are pregnant.” She goes on, “While I’m sitting here, I’m on maternity leave, but my phone keeps on ringing day and night, day and night because of my patients. The thing is, I have the passion; the work that I do is always here in my heart. I’m proud of myself. I love what I am doing. I’m not doing it for me, I’m doing it for my children and my community.”

As Dr. Ashraf Grimwood, the CEO of Kheth’Impilo, later tells me, “Barbara’s journey is an example of moving from patient to health-care provider, from victim to hero.”

One surprisingly unwindy afternoon outside Cape Town, I have lunch with Dr. Linda-Gail Bekker, deputy director of the Desmond Tutu HIV Centre, and Erica Barks-Ruggles, consul general for the United States in Cape Town. We meet in Woodstock, a recently gentrified suburb on the lower slopes of Devil’s Peak that seems to be trying to live up to its name, with locavore cafés where modern-day hippies (and hipsters) hang out.

An intense, wiry platinum blonde with a pixie haircut, Bekker, who grew up in Zimbabwe, is one of the foremost experts on HIV in South Africa. She has been agitating for access to antiretroviral treatment and destigmatization since the late nineties. “Initially, with our patients, there was an overwhelming sense of ‘Well, that’s it: Your sexual lives are over, as is the likelihood of your having a child,’ ” she says. “And what changed—this was around 2004—is that there was a soap opera on our national television, and one of the characters had the virus and got pregnant. Suddenly it kind of hit us between the eyes that women had a right to be pregnant, and that it was all about living a normal life with this disease. For the six million South Africans who have it, let’s make it a normal, destigmatized condition, like any other. We don’t stop diabetics from getting pregnant. We don’t stop heart cases. So it needed that paradigm shift.”

I tell her about going to another clinic earlier that day in Hout Bay and meeting a woman with HIV named Thabisa, who has given birth to not one but six HIV-negative children. “And that is why there is so much hope: For the first time, we actually have things we can do that we know will work,” says Bekker. “And the big issue now is, How do you apply them? How do you scale it up to the degree that you actually can talk about an AIDS-free generation?”

Since 2003, countries coping with an AIDS crisis have been able to rely on PEPFAR—the U.S. President’s Emergency Plan for AIDS Relief. Launched under President George W. Bush, it has since given $52 billion dollars to the cause. South Africa, which was long considered ground zero for the epidemic, was one of its first beneficiaries. As of 2013, 2.5 million people in South Africa were on antiretroviral treatment—the most in any single country on Earth.

As Barks-Ruggles tells me, “This is one of those mystical, magical issues where we continue to have bipartisan support in Washington, not because people are unrealistic but because people are very brass-tacks realistic about it.” So far, in South Africa alone, the chance of mother-child transmission of the virus has gone from 30 percent to less than 3 percent. “That’s a huge number of lives,” she says.

But the next phase for PEPFAR has begun: handing off the baton. “We use the term country ownership,” says Deborah von Zinkernagel, the acting U.S. global AIDS coordinator who runs PEPFAR. “Because in every country, we’re there to help, but the local governments are increasingly running the show, which is how it should be.” As the South African government has stepped up its involvement, for instance, it has built 3,000 new clinics.

Though fears about cuts to PEPFAR this year went unfounded (its funding has remained essentially flat for the past five years), this kind of commitment and financial aid from the U.S. won’t last forever, which is why it is more important than ever to find new ways to give African governments the support they need. One way to do that, of course, is to marshal resources from the private sector. (As Michel Sidibé, the executive director of UNAIDS, said to me, “Eighteen pills a day is now one pill a day—that’s the private sector.”)

Enter the American philanthropist John Megrue, the chairman of the private-equity firm Apax Partners U.S. Megrue has a long history of trying to solve the problems of extreme poverty and related issues in Africa. Once the Global Plan to eliminate mother-to-child transmission of HIV by December 31, 2015 was announced by UNAIDS, Megrue was approached by Eric Goosby, then the U.S. global AIDS coordinator; Sidibé; and Ray Chambers, a longtime philanthropist and special envoy to the United Nations, to be the private-sector voice at the table as the group came together to try and figure out, once and for all, how to reach this goal. Megrue founded Born Free, a foundation dedicated to the single task of pushing the not-inconsiderable success with reducing mother-to-child transmission in Africa over the finish line. One of the ways Born Free is doing that, says its president, Anna Squires Levine, is by “amplifying the effects of all the other people working on this topic already”—people like Robin Smalley at mothers2mothers and Michael Phillips of Kheth’Impilo. The trick now is to capture the American imagination. “We know there are huge movements in the U.S. that catch fire and make real change, and this is not one of them,” observes Levine. “If it could be, it would be huge.”

To that end, Born Free joined forces with Vogue to ask 23 designers who are mothers, including Diane von Furstenberg, Tory Burch, Sarah Burton, Donna Karan, Jenna Lyons, Donatella Versace, Carolina Herrera, Vera Wang, Liya Kebede, and Victoria Beckham, to create a Born Free Collection of women’s and children’s clothing and accessories based on the work of the Kenyan artist Wangechi Mutu, to be sold on Shopbop.com, an Amazon Fashion site. The limited-edition collection, which ranges from Alexander McQueen baby blankets to matching mother-and-child pleated skirts by Prada, will go on sale on April 23, with all of the proceeds going toward helping Born Free. (The MAC AIDS Fund recently announced it would match dollar for dollar all proceeds up to $500,000.) “The question was, How do you get the message out?” Megrue says. “You either go to Hollywood, sports, or the fashion industry, because all three have these huge megaphones.” He chose the fashion industry largely because of its history of facing down its own HIV/AIDS crisis in New York in the early nineties by raising millions and changing minds.

Watch the Born Free series here. 

Until about a year ago, Megrue had been entirely focused on policy issues and implementation—and not thinking much about public awareness, particularly in America, where coverage of the success of mother-to-child transmission rates in Africa has been all but nil. As Smalley puts it, “I find my most educated, brilliant friends don’t know about it. Because we don’t see babies born with HIV in the U.S. very often anymore, we sort of assume it’s not happening anywhere. It makes headlines, it’s so rare.”

It is another incredibly windy afternoon, and Victoria Beckham, who is in talks to become an ambassador for UNAIDS, is standing in a parking lot in Hout Bay in front of the Desmond Tutu HIV Foundation’s mobile HIV clinic (also known as a Tutu Tester), holding a little girl in an apricot dress. Annie Leibovitz is behind the camera, here to capture the Born Free initiative on the ground. Behind her there are three men hanging on with all their might to the lighting equipment, lest the wind rip it from their hands and launch it into the sky.

Hout Bay is a coastal suburb, about ten miles west of the center of the city. It is about as beautiful a place as I have ever seen. In one direction there is the harbor and the fishing village that surrounds it. Beyond that there are neighborhoods with names like Hillcrest and Beach Estate. This is a surfer’s paradise: The annual Red Bull Big Wave Africa competition is held here. But up the hill behind us, there is the Imizamo Yethu (in Xhosa, literally “our struggle”) community, which is also known as Mandela Park. It is a shantytown that climbs up the steep slope right behind where Beckham, Leibovitz, and her crew are trying their best to get the right shot. Imizamo Yethu is home to 15,000 people, yet has an extremely limited sewage system. Many of the residents use the Hout Bay Main Road Clinic, supported by the TB/HIV Care Association, when they need medical attention—which, as you can imagine, is frequently.

As I did a few days earlier, Beckham will tour a facility and meet the doctors and mentors and nurses—all women—who are, among other things, striving to keep the unborn from contracting the virus. She has been supporting various charities for years now, but she had long wanted to do something more.

“It’s taken a long time to find a charity that I really feel a connection with,” Beckham will tell me later, “and it’s kind of changed how I feel about everything, really. I have met a lot of HIV-positive women who told me their stories. My eyes were opened. I had no idea that this pill existed, and because of these pills, we are now at a statistic of 97 percent of babies born free of HIV. The statistics are nothing short of mind-boggling. Obviously I am a woman and I am a mother, and this touched me. I really feel like I can do something to make a difference.”

The Ethiopian model Liya Kebede, who already has a foundation dedicated to maternal health in her native country, “was surprised by how little I knew about this maternal-transmission issue, and how within reach it is.” All of the designers seem genuinely invested in the cause. “This kind of thing I am happily roped into,” says Stella McCartney, whose contributions include onesies, T-shirts, and dresses for children. “It’s a great way to balance fashion with something incredibly vital. I love the idea of pulling out working mothers in the industry and giving us something important to tackle for a change. I mean, you know, I love shoes, but there are more important things in life, like survival, and creating the next generation of healthy humans on this planet. That’s what’s so startling about this particular cause, seeing that kids, just because of where they’re born, are not given the same set of chances.”

When I ask her about what she designed, she says, “They’re approachable pieces. I already do childrenswear, so it seemed like a good idea to bring that into this project because it’s about seeing the connection between mother and child.” Of Mutu’s artwork she says, “It’s quite ornate; there’s a lot of emotion and storytelling within it. As someone who normally creates her own prints, I found it was sort of a new way of approaching design.”

Mutu, who lives in Brooklyn and just had a big show at the Brooklyn Museum, was born and raised in Nairobi, went to high school in the U.K., and then to art school in New York, where she has now lived and worked for more than 20 years. A collage artist, she cuts up magazines and blends them with ink and paint. Intriguingly enough, she mostly uses images from fashion magazines. (She chose two pieces for the designers to work with: one from 2003, from herAlien series, and the other “a kind of a sweet figure seeded with big red ponytails.”) “It’s funny how it comes all the way around,” she says of the fact that her work, based on things torn out of fashion magazines, will now be made into fashion that will be featured in fashion magazines. “But I sort of believe that’s how it all works anyway. Everything is connected. So there’s an interesting relationship between how this project is transforming people’s lives and bodies, and allowing mothers to raise healthy kids. It’s just phenomenal. It’s a miracle project. It’s the kind of thing I’ve dreamed could be done—a project where art and fashion are used to empower, to educate, to give someone who might not be as fortunate as those who are making art or fashion an opportunity to enjoy their lives, and even enjoy their clothing, perhaps. Thatis what is shockingly amazing: It’s pointing out what is possible.”

One Saturday night in Cape Town, I meet John Megrue and the CEO of Born Free, Jennifer McCrea, a senior research fellow at the Hauser Institute for Civil Society at Harvard University, at a dinner for the initiative for about 40 people at a Vegas-like resort on the waterfront called One&Only. As I watch the guests arrive, including UNAIDS’s Michel Sidibé and Caroline Rupert, the daughter of a South African business dynasty that owns Cartier, among other things, it strikes me that country ownership of the fight against AIDS can’t happen without the rich and powerful of Africa really getting behind the cause, people like Megrue’s South African cohost tonight. A woman named Dr. Precious Moloi-Motsepe,  she is the kind of person who could only exist in Africa: a doctor by training who is married to one of South Africa’s first black billionaires and also runs Fashion Week in Cape Town. She travels with her stylist in tow, an exceptionally pale white man wrapped in layers of fabric who towers above everyone. Wearing a slinky black Azzedine Alaïa dress, she reminds me of some otherworldly combination of Naomi Campbell and Diahann Carroll, with all the charm, glamour, and imperiousness that that suggests.

It turns out that Rupert works closely on film projects with her good friend Kweku Mandela, whom I also meet at the reception. He is Nelson Mandela’s 29-year-old grandson, who lives in Johannesburg but spends a lot of time in Los Angeles, where he has produced and directed both feature films and documentaries, including Mandela, about his grandfather, and The Power of Words, a project made for the Tribeca Film Institute last year. Wearing jeans, a gray T-shirt, and a dark denim jacket, Mandela seems to have picked up the L.A. custom of dressing down for semiformal events. When I ask how he got into show business, he tells me a story about watching Dick Tracy, starring Warren Beatty and Madonna, with his grandfather when he was a kid. When the credits rolled, he asked, “What are those?” and his grandfather said, “Jobs.”

The next morning, an op-ed piece runs in the Sunday Times under the headline born-frees set to make their mark. It is not about HIV/AIDS but about the 600,000 or so eighteen- and nineteen-year-olds—new voters—who were born right after apartheid ended and are now old enough to cast a ballot in the presidential election this month. I am reminded of something that Kweku said to me about why he chose the Power & the Glory café as the location for hisVogue shoot with Rupert and another Mandela grandson, Ndaba, who was recently appointed deputy president of the Pan African Youth Council: “Twenty years ago a place like this wouldn’t have existed, and the three of us wouldn’t have been able to be here together.”

In 2009, Kweku and Ndaba founded the organization Africa Rising, which is committed to honoring and carrying on their grandfather’s towering legacy while trying to tackle some of the continent’s biggest problems, including HIV. “Obviously our granddad was extremely passionate about HIV, and our family was also personally affected by it,” Kweku tells me. “So I think for me and Ndaba it’s actually a personal thing more than anything else.” They have lent their full support to Born Free. “I think it’s vitally important that, if we are going to stop the next generation from being infected by this epidemic, it really starts with newborns,” says Kweku. “It’s the first step.”

But Kweku and Ndaba are also, as one person put it to me, “using the media to change people’s perceptions of Africa, particularly young people.” They themselves may not be “born-frees,” this new demographic who are of great interest to South African politicians, but that is where their focus lies as well. “Now it’s got to fall on this generation; that’s the exciting part,” says Kweku. “We’re at the point where we can actually finally see the end of it.”

But as Linda-Gail Bekker reminded me, it’s important that we not get ahead of ourselves with all this hopeful born-free talk. “Now, for the first time, we really need the resources. This is where we say, ‘Don’t disengage, because we’re on the cusp of getting it right.’ ”

Wangechi Mutu agrees. “A lot of the issues in my country, and in Africa in general, are solvable. And what bothers me—and this is part of why I am doing this—is it’s really just about doing that one thing that gets everything going in the right direction so we can actually do something about it. The fact that one drug can allow the baby to survive, which happens in the U.S. all the time. . . . It’s a no-brainer. But it’s so great that someone has figured out a way to make these beautiful products, these pieces of clothing for sale, into messengers—disciples of this message about prevention of this transference of disease. Go for it.”

Her words bring me back to sitting in Barbara Matisane’s living room as she was lamenting the fact that her nine-year-old daughter, Uthandile, whom she has already educated on the reality of HIV/AIDS, was late coming home from school. She wanted me to see and hear for myself just how healthy and wise her little girl has become. Suddenly Uthandile burst into the tiny room in her school uniform and, speaking to her mother in Xhosa, asked if she could go outside and play. Yes, said Barbara. Her daughter pulled a box from underneath the bed in the corner, grabbed some sneakers and shorts and a T-shirt, changed behind a bedsheet hung as a curtain, and then ran out the door, like any other kid in the world.

For more from Vogue, download the digital edition from iTunes, Kindle, Nook Color, andNext Issue.

 *****

Readers: This is a huge breakthrough for women with AIDS. So much good juicy stuff here in this article and video, and so many wonderful ways to get involved with the Wonderful Women Of The World who have committed their time to support women. If it moves you, please get involved.

Clyde: I love reading posts such as yours. Thanks for sharing your story. Thanks to Howie too for posting his writes and getting you hooked in so that you would be exposed to and have to “tolerate” my “tirades.” Whatever it took, I’m delighted it happened. :) I HOPE your “broadening of political perspective,” and change in political party will ripple out to your friends and family. We could certainly use all the Dem votes in this coming midterms. Thanks too for supporting Grimes.

Karen: I don’t like the same same LSOS BS that the repubs voice here, but I don’t mind them visiting. Like I said to Clyde, whatever it takes. Repubs have flipped from reading this blog and, I will make a nod to Clyde, because it is the truth, “the links you and some of your enlightened readers suggest.” Perhaps more will too.

Jeffrey: Good questions. Perhaps you can clue me in. None of my friends talk to me about it either. It doesn’t bother me...just noticing. 

Dianne: Thank you for contributing to Grimes!

Happy Saturday everyone! Peace & Love…

Lastly, greed over a great story is surfacing from my “loyal”(?) readers. With all this back and forth about who owns what, that appears on my blog, let me reiterate that all material posted on my blog becomes the sole property of my blog. If you want to reserve any proprietary rights don’t post it to my blog. I will prominently display this caveat on my blog from now on to remind those who may have forgotten this notice.

Gratefully your blog host,

michelle

Aka BABE: We all know what this means by now :)

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Goodbye Ms. Angelou

Posted by Michelle Moquin on 29th May 2014

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Good morning!

Maya Angelou passed away yesterday. She was an amazing beautiful Wonderful Woman Of The World. May she rest in peace.

From the Wash Po.

Maya Angelou, writer and poet, dies at age 86

Maya Angelou, a child of the Jim Crow South who rose to international prominence as a writer known for her frank chronicles of personal history and a performer instantly identified by her regal presence and rich, honeyed voice, died May 28 at her home in Winston-Salem, N.C. She was 86.

Her literary agent, Helen Brann, confirmed the death but said she did not know the cause. Ms. Angelou had heart ailments and had been in declining health for years.

She established her literary reputation in 1970 with “I Know Why the Caged Bird Sings,” a memoir detailing the racism and abuse she endured during her harrowing childhood.From her desperate early years, Ms. Angelou gradually moved into nightclub dancing and from there began a career in the arts that spanned more than 60 years. She sang cabaret and calypso, danced with Alvin Ailey, acted on Broadway, directed for film and television and wrote more than 30 books, including poetry, essays and, responding to the public’s appetite for her life story, six autobiographies.She won three Grammy Awards for spoken-word recordings of her poetry and prose and was invited by President-elect Bill Clinton to read an original poem at his first inauguration in 1993, making her the second poet, after Robert Frost, to be so honored.

The poem she read, “On the Pulse of Morning,” spoke of a hope that the country’s diverse people would find new unity after chapters in U.S. history of oppression and division.

“Lift up your eyes upon /The day breaking for you,” she said as the nation watched. “Give birth again /To the dream.”

In 2011, President Obama presented her with the Presidential Medal of Freedom, the nation’s highest civilian honor. In a statement Wednesday, Obama described Ms. Angelou as “a truly phenomenal woman” and his sister Maya’s namesake. “A childhood of suffering and abuse actually drove her to stop speaking – but the voice she found helped generations of Americans find their rainbow amidst the clouds, and inspired the rest of us to be our best selves,” Obama said.

It was her story of personal transformation in “I Know Why the Caged Bird Sings” that launched Ms. Angelou’s career and brought her wide recognition as a symbol of strength overcoming struggle.

“She brought an understanding of the dilemmas and dangers and exhilarations of black womanhood more to the fore than almost any autobiographer before her time,” said Arnold Rampersad, a literary critic and professor emeritus of English at Stanford University. “She challenged assumptions about what was possible for a poor black girl from the South, and she emerged as a figure of courage, honesty and grace.”

The idea for “I Know Why the Caged Bird Sings” arose during conversations with friends, including James Baldwin, whom she met in Paris. Ms. Angelou initially resisted the suggestion that she write her story, giving in only after an editor goaded her by suggesting that writing autobiography as literature was too difficult for anyone to do well.

“I Know Why the Caged Bird Sings” focused on growing up in her grandmother’s care in segregated Stamps, Ark., and on her rape by her mother’s boyfriend at age 7, “a breaking and entering when even the senses are torn apart.”

After she spoke her attacker’s name, he was found kicked to death in a lot behind a slaughterhouse. Convinced that her voice had the power to kill, she fell nearly silent for nearly five years. She spoke only to her beloved older brother, Bailey.

“I had to stop talking,” she wrote. “I walked into rooms where people were laughing, their voices hitting the walls like stones, and I simply stood still — in the midst of a riot of sound. After a minute or two, silence would rush into the room from its hiding place because I had eaten up all the sounds.”

The book, which came at the leading edge of a renaissance in literature by black female writers such as Toni Morrison and Alice Walker, traces the young Ms. Angelou’s effort to recover her voice and a sense of control over her body and her life, beginning with her recitation of “A Tale of Two Cities” at the behest of a family friend.

Enduringly popular, “I Know Why the Caged Bird Sings” has been translated into 17 languages, sold more than 1 million copies and still appears on high school and college reading lists.

“There isn’t any easy, which is to say false line in the book,” wrote the novelist Ward Just in a Washington Post review. “It is not propaganda nor a history of the blacks, nor, most blessedly, sociology. It is one woman, Maya Angelou, writing about her life and times and writing from a talent so strong as to make each part of it immediate, direct, devastating and — oddly — beautiful.”

Ms. Angelou produced five subsequent autobiographical volumes, avoiding distractions during her writing days by retreating to hotel rooms, where she removed art from the walls. She often arrived before dawn — dictionary, thesaurus and bottle of dry sherry in tow — and wrote longhand on yellow legal pads.

None of her poetry or prose brought the same acclaim as “I Know Why the Caged Bird Sings,” but critics praised her ability to weave street talk with literary references and the rhythm of church hymns. But in some sense, Ms. Angelou existed in a realm untouched by criticism. She developed a devoted group of readers who adored her and were drawn to her poems, which featured accessible rhymes and themes of cultivating love, conquering injustice and speaking out of silence.

“You may write me down in history /With your bitter, twisted lies,” reads a poem in her 1978 collection, “And Still I Rise.” “You may trod me in the very dirt /But still, like dust, I’ll rise.”

In 2002, she lent her name and verse to a line of Hallmark greeting cards, table runners and other products. “I want my work read,” she told The Post at the time.

Her ability to reach a mass audience, including people who did not consider themselves poetry readers, set her apart. A fixture on the lecture circuit and a popular guest on Oprah Winfrey’s talk show, her personal story became a platform for her message of renewal and hope.

“If God put the rainbows right in the clouds themselves, each one of us in the direst and dullest and most dreaded and dreary moments can see a possibility of hope,” she said in a speech at a conference at Weber State University in Utah in 1997. “Each one of us has the chance to be a rainbow in somebody’s cloud.”

Maya Angelou was born Marguerite Ann Johnson on April 4, 1928, in St. Louis to Bailey Johnson, a dietitian, and Vivian Johnson, a card dealer and boardinghouse proprietor. Her parents divorced when she was 3, and they sent her to Arkansas with her brother Bailey — “the greatest person in my world,” she wrote, who called her “My,” “Mine,” and finally “Maya.”

In 1940, she and Bailey moved to California to live with their mother. Ms. Angelou, who had discovered Shakespeare (“my first white love”) as a child in Stamps, graduated from Mission High School in San Francisco and took evening drama and dance classes. Concerned she might be a lesbian and wanting to prove she was “normal,” she propositioned a young man who lived up the street. After that one encounter, she became pregnant at age 16 with Clyde “Guy” Johnson, her only child.

In addition to her son, survivors include two grandchildren and two great-grandchildren.

She spent the next several years bouncing between jobs, scraping by first as a streetcar conductor and cook who read the Russians — Dostoevsky, Turgenev, Chekhov — in her free time. She said she also fell in love with a man who worked as a pimp, which led her to prostitution and then a stint as a madam.

She tried to join the Women’s Army Corps but was rejected because the California Labor School, where she had taken dance classes, appeared on the House Un-American Activities Committee list of organizations with communist sympathies. Ever more desperate, she sold stolen clothes and flirted with drugs until a friend who was a heroin addict forced her to watch him shoot up.

“He slouched, nodding, his mouth open and the saliva sliding down his chin as slowly as the blood had flowed down his arm,” she wrote in “Gather Together in My Name” (1974), the second volume of her autobiography. It was a turning point — the underworld revealed. “I had walked the precipice and seen it all; and at the critical moment, one man’s generosity pushed me safely away from the edge.”

In the early 1950s, she married Tosh Angelos, a Greek American sailor. They divorced several years later, but it was during their marriage that she landed a dancing and singing gig at San Francisco’s famed Purple Onion nightclub and first used the name Angelou — a version of Angelos.

In the mid-1950s, she toured 22 countries in Europe and Africa with a State Department production of the Gershwin folk opera “Porgy and Bess,” acted off-Broadway and released her first album of songs, “Miss Calypso.” She chronicled this blossoming of her performance career in “Singin’ and Swingin’ and Gettin’ Merry Like Christmas” (1976), the third volume of her autobiography.

Ms. Angelou’s interest in writing grew from song lyrics to short stories, and, with the encouragement of John Oliver Killens, a friend and black novelist, she moved to New York City in 1959 to join the Harlem Writers Guild. Members of the Guild critiqued her writing and offered advice: “Write each sentence over and over again,” she recalled in “The Heart of a Woman” (1981) the fourth installment of her autobiography, “until it seems you’ve used every combination possible, then write it again.”

In New York, Ms. Angelou was exposed to civil rights leaders, among them Bayard Rustin of the Rev. Martin Luther King Jr.’s Southern Christian Leadership Conference. She helped organize and performed in the “Cabaret for Freedom,” an off-Broadway musical revenue and benefit for that organization, and performed in Jean Genet’s “The Blacks,” also off-Broadway, about everyday confrontations between whites and blacks. In 1960, Ms. Angelou replaced Rustin as the northern coordinator for the conference.

She married a South African civil rights activist, Vusumzi Make, and they moved to Cairo, where she worked as an editor at an English-language newsweekly. The couple divorced soon after, but Ms. Angelou stayed in Africa with her son, working as a teacher and writer in Ghana.

The West African country had won its independence from England five years earlier, in 1957, and its Pan-Africanist president, Kwame Nkrumah, invited African Americans to move there. Ms. Angelou became part of a group of black intellectuals who answered that call.

“We knew that we were mostly unwanted in the land of our birth and saw promise on our ancestral continent,” she wrote in “All God’s Children Need Traveling Shoes” (1986), her fifth autobiography.

Soon after returning to California in 1966, she wrote “Black, Blues, Black,” a 10-part television series about the role of African culture in the United States, and served as a lecturer at the University of California at Los Angeles. She chronicled this period, including the assassinations of King and Malcolm X, in “A Song Flung Up to Heaven” (2002), her final installment of her memoir and one that comes full circle, ending as a younger Ms. Angelou sits down to write the first lines of “I Know Why the Caged Bird Sings.”

After the critical and commercial success of “I Know Why the Caged Bird Sings,” Ms. Angelou published her first volume of poetry, “Just Give Me a Cool Drink of Water ’fore I Diiie,” in 1971. The following year, she wrote the screenplay for the film “Georgia, Georgia,” about a black woman (played by Diana Sands) murdered for taking a white photographer as a lover.

In 1973, Ms. Angelou married Paul du Feu, a carpenter, and they lived together in Berkeley, Calif., until their divorce eight years later.

“I have lost good men — or men I might have been able to turn into good men — because I have no middle passage,” she told People in 1982. “I know that I’m not the easiest person to live with.”

Du Feu was remodeling homes while Ms. Angelou wrote, directed for film and television, and acted. She was nominated for a Tony Award for her Broadway performance in “Look Away” (1973), a two-woman play about the friendship between first lady Mary Todd Lincoln (played by Geraldine Page) and Ms. Angelou’s character, Elizabeth Keckley. In the TV series “Roots” (1977), she played Kunta Kinte’s grandmother.

In 1981, Ms. Angelou was appointed a lifetime member of the faculty at Wake Forest University in Winston-Salem. She continued to write, and her works included cookbooks and children’s books. In her many public speaking obligations, often at college commencements, she presented herself as a wise elder whose life was evidence of how far it is possible to travel.

“See me now, black, female, American and Southern,” she said in a 1990 speech to students at Centenary College in Louisiana. “See me and see yourselves. What can’t you do?”

5 Things About Maya Angelou That Most People Won’t Talk About

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1. Angelou was a close associate with Malcolm X prior to his assassination and had plans to start a new effort with him to advance African-American rights. According to Angelou, she intended to jump-start the Organization of African-American Unity with Malcolm X. The two intended to vocalize the issues plaguing black people in the U.S. to the United Nations, with the hope that the international body would assist in their struggle.

2. Angelou was a leader of the Southern Christian Leadership Conference (SCLC). SCLC, an organization founded by Martin Luther King which preached nonviolence, was instrumental in arranging protests and voter registration drives. Before becoming a member, she arranged the Cabaret for Freedom, a five-week show that raised money for the organization. After the play’s success, she was asked by Bayard Rustin to become the Northern Coordinator of the SCLC, and was instrumental in fundraising and promoting the organization’s mission.

3. Angelou supported Cuban leader Fidel Castro, despite his rivalry with U.S. leaders. She once wrote, “Of course, Castro never had called himself white, so he was O.K. from the git. Anyhow, America hated Russians, and as black people often said, ‘Wasn’t no Communist country that put my grandpappa in slavery. Wasn’t no Communist lynched my poppa or raped my mamma.’” Her commentary aligned with Pan-Africanism and anti-colonial sentiments, according to which people of color — particularly those in the African Diaspora — identified their struggles as part of one larger, systemic fight.

4. Angelou was a staunch advocate for marriage equality. Angelou personally called New York state Senator Shirley Huntley (D) to voice her support of same-sex marriage, which the the state was considering and the Senator opposed. During the call she said, “To love someone takes a lot of courage,” she said. “So how much more is one challenged when the love is of the same sex and the laws say, ‘I forbid you from loving this person’?” Huntley ended up voting for the measure.

5. Angelou made a strong moral case for action to recover the kidnapped Nigerian school girls. Angelou never lost her commitment to social justice. Earlier this month she tweeted about the kidnapped girls in Nigeria.

*R*I*P*Ms.*A*N*G*E*L*O*

Blog me.

Peace & love…

Lastly, greed over a great story is surfacing from my “loyal”(?) readers. With all this back and forth about who owns what, that appears on my blog, let me reiterate that all material posted on my blog becomes the sole property of my blog. If you want to reserve any proprietary rights don’t post it to my blog. I will prominently display this caveat on my blog from now on to remind those who may have forgotten this notice.

Gratefully your blog host,

michelle

Aka BABE: We all know what this means by now :)

If you love my blog and my writes, please make a donation via PayPal, credit card, or e-check, please click the “Donate” button below. (Please only donations from those readers within the United States. – International readers please see my “Donate” page)

Or if you would like to send a check via snail mail, please make checks payable to “Michelle Moquin”, and send to:

Michelle Moquin PO Box 29235 San Francisco, Ca. 94129

Thank you for your loyal support!

All content on this site are property of Michelle Moquin © copyright 2008-2014

“Though she be but little, she be fierce.” – William Shakespeare Midsummer Night’s Dream 

" Politics, god, Life, News, Music, Family, Personal, Travel, Random, Photography, Religion, Aliens, Art, Entertainment, Food, Books, Thoughts, Media, Culture, Love, Sex, Poetry, Prose, Friends, Technology, Humor, Health, Writing, Events, Movies, Sports, Video, Christianity, Atheist, Blogging, History, Work, Education, Business, Fashion, Barack Obama, People, Internet, Relationships, Faith, Photos, Videos, Hillary Clinton, School, Reviews, God, TV, Philosophy, Fun, Science, Environment, Design, The Page, Rants, Pictures, Church, Blog, Nature, Marketing, Television, Democrats, Parenting, Miscellaneous, Current Events, Film, Spirituality, Obama, Musings, Home, Human Rights, Society, Comedy, Me, Random Thoughts, Research, Government, Election 2008, Baseball, Opinion, Recipes, Children, Iraq, Funny, Women, Economics, America, Misc, Commentary, John McCain, Reflections, All, Celebrities, Inspiration, Lifestyle, Theology, Linux, Kids, Games, World, India, Literature, China, Ramblings, Fitness, Money, Review, War, Articles, Economy, Journal, Quotes, NBA, Crime, Anime, Islam, 2008, Stories, Prayer, Diary, Jesus, Buddha, Muslim, Israel, Europe, Links, Marriage, Fiction, American Idol, Software, Leadership, Pop culture, Rants, Video Games, Republicans, Updates, Political, Football, Healing, Blogs, Shopping, USA, Class, Matrix, Course, Work, Web 2.0, My Life, Psychology, Gay, Happiness, Advertising, Field Hockey, Hip-hop, sex, fucking, ass, Soccer, sox"

Posted in Good Reads and Good See'ds, Style, Wonderful Women Of The World | 16 Comments »

Wonderful Women Of The World

Posted by Michelle Moquin on 24th May 2014

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Good morning!

Fashion is my thing. What we clothe ourselves with says a lot about us. Supporting women and girls is also my thing. How we treat them says a lot about humanity.

Unfortunately, women and girls aren’t treated so good throughout this planet. (And I am being kind here.) So when my two passions converge into something beautiful and amazing, I take notice, and I give credit where credit is due.

I was perusing Vogue Magazine again, and I came across another write, where another Wonderful Woman Of The World, was featured –  this time, using fashion to help young girls.

Phoebe Dahl, through her charitable clothing line “Faircloth & Supply,” helps young girls in Nepal avoid being victims of Sex trafficking by enabling them to be able to get an education. For every item of her clothing line sold, Dahl donates uniforms to young girls where “education is often out of reach for children whose families can’t afford requisite school attire.”

“If girls can’t get an education they’re considered worthless, and their parents often sell them to sex traffickers,” according to Dahl in the May Vogue article ‘One For One’. “We give them two uniforms, so they can go to school and choose a trade – like farming or sewing – and at the end of the course, we give them a microloan to start their business.”

According to tinyhandsinternational.org, “In Nepal an estimated 10,000-15,000 girls are trafficked across the border where they are sold into Indian brothels and forced to become prostitutes.”

The article (which can be found here http://www.tinyhandsinternational.org/human-trafficking/sex-trafficking-nepal) also said that these girls are expected to have sex with 40 or more clients a day. They are beaten or tortured if they try to run or protest.

This was taken from Dahl’s website:

WHAT WE DO…
For each item sold by Faircloth Supply, one school uniform is donated to a girl in Nepal. Through our partnership with General Welfare Pratisthan (GWP), the girls receiving these uniforms are enabled to attend school and achieve the education they rightfully deserve.
The Faircloth Supply team made its first visit to the GWP headquarters in Nepal’s capital of Kathmandu this past March of 2014.  We met with the incredible team behind GWP and their Executive Director, Mahesh Dev Bhattarai, who acted as both our guide and educator, teaching us about the Nepali culture and customs. GWP’s mission is to create an organized, self-reliant society, free of the social and economic disparities symptomatic of gender inequality. In pursuit of this goal, GWP has made providing education opportunities to girls one of its top priorities.There’s a gentle, understated quality of compassion present in the nation’s character.  From sublime landscape to humble homes, Nepal is nothing if not welcoming.  And yet, given the country’s natural earnestness and beauty, the mistreatment of women throughout Nepali culture is an even more distressing pill to swallow.

When viewing the country’s rich and colorful beauty alongside the extent to which women are mistreated and undervalued in their society, the contrast is stark.  There are currently 67 million children who aren’t in school, and over 50% are girls.  As a founding member of GWP, Mahesh stresses schooling as a key to empowering Nepali women in the community and breaking a cycle of discrimination that has been endured by generations of women before them.
For a young girl in Nepal, the benefits of education are for more than just academic. Girls who receive education are less vulnerable to HIV infection, human trafficking and other forms of social & economic exploitation. They’re more likely to marry later & raise children who will attend school themselves, and go on to contribute positively to their family’s economic well-being.  Long term, GWP’s work aims to build a natural infrastructure that will reduce poverty amongst the marginal population, lower incidents of gender-related violence and the amount of girls taken into sex trafficking, and improve existing health conditions among women. It’s a long and ambitious list, and none of it can be achieved without providing education to girls in even the most impoverished communities throughout Nepal.
GWP programs have impacted over 900 girls and their families, and their reach is growing. The foundation is actively working in 20 districts in Nepal and has reached more than 500,000 beneficiaries through its outreach programs that focus on income generation, health improvement, education, and the environment.
 Mahesh and his team of teachers and mentors are pioneering programs at women’s health’s clinics as well – implementing STD/HIV/AIDS prevention programs in Kathmandu and the five surrounding districts.

*****

Readers: Dahl has come up with a way to help girls not only get an education but boost their local economies in the process. Awesome. What other solutions can you come up with? Blog me.

Oh…before I go, a big congratulations to Dahl and her partner Ruby Rose on their engagement! Love this sweet picture.

Rose and Dahl

 

If you’re headed out of town or just stickin’ around, I HOPE you have a fabulous Memorial Day Weekend!

Peace & Love.

Lastly, greed over a great story is surfacing from my “loyal”(?) readers. With all this back and forth about who owns what, that appears on my blog, let me reiterate that all material posted on my blog becomes the sole property of my blog. If you want to reserve any proprietary rights don’t post it to my blog. I will prominently display this caveat on my blog from now on to remind those who may have forgotten this notice.

Gratefully your blog host,

michelle

Aka BABE: We all know what this means by now :)

If you love my blog and my writes, please make a donation via PayPal, credit card, or e-check, please click the “Donate” button below. (Please only donations from those readers within the United States. – International readers please see my “Donate” page)

Or if you would like to send a check via snail mail, please make checks payable to “Michelle Moquin”, and send to:

Michelle Moquin PO Box 29235 San Francisco, Ca. 94129

Thank you for your loyal support!

All content on this site are property of Michelle Moquin © copyright 2008-2014

“Though she be but little, she be fierce.” – William Shakespeare Midsummer Night’s Dream 

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Posted in Good Reads and Good See'ds, Health & Well Being, Style, Wonderful Women Of The World | 10 Comments »